‘If I valued fame, I should flatter received opinions, which have gathered strength by time, and will yet wear longer than any living works to the contrary…‘Lord Byron
These were the thoughts expressed by Byron in his November 1813 journal entry as this fashionable ‘literary lion’ pondered the question of his fame.
I have been reading the book by Ghislaine McDayter Byromania and the birth of Celebrity Culture which places Byron and the heady years of stardom as the patriarch of all of our modern celebrities and so in addition to being a brilliant and irreverent poet, and despite his own cynicism on the matter – Byron is also honoured as the first ever celebrity!
However, it is another celebrity who I’m also scribbling about in this month of August – the wonderful Marilyn Monroe who died one balmy and mysterious evening in 1962.
Despite being born two centuries apart, both MM and Byron were considered beautiful and fabulous – despite some ferocious changes in mood, an indulgence for reckless affairs, disastrous marriages and a fondness for alcohol.
They were in their time pursued and adored by legions of fans and both would die at the ripe old age of thirty six.
However, another striking parallel between Byron and MM is that both are still recognised for their portraits in iconic dress.
There is the familiar portrait of Byron painted by Thomas Phillips in 1813 dressed in the Albanian costume that he had bought during his Grand Tour.
Byron would later gave the costume to the beautiful heiress Margaret Mercer Elphinstone and confidante of the Princess Charlotte of Wales for a fancy dress ball in May 1814 and in an playful letter with a hint of sexual innuendo from his bachelor pad in London; he writes:
‘I send you the Arnaout garments – which will make an admirable costume for a Dutch Dragoon – The Camesa or Kilt (to speak Scottishly) you will find very long – it is the custom with the Beys and a sign of rank to wear it to the ancle – I know not why-but so it is – the million shorten it to the knee which is more antique – and becoming – at least to those who have legs and a propensity to show them…
I have sent but one camesa – the other I will dispatch when it has undergone the Mussulman process of ablution…
It is put off & on in a few minutes – if you like the dress – keep it – I shall be very glad to get rid of it – as it reminds me of one or two things I don’t wish to remember…
To make it more acceptable – I have worn this very little – & never in England except for half an hour to Phillips.‘
The costume along with Byron’s letter was treasured and can now be seen on display at Bowood House and Gardens in Wiltshire, the home of Margaret’s daughter Emily through her marriage to the 4th Marquess of Lansdowne Henry Petty-Fitzmaurice, Earl of Shelburne.
AND then there is THE white ‘Subway Dress’ worn by MM for the 1954 film The Seven Year Itch and which went under the hammer in Beverly Hills for $5.6 million pounds!
MM’s signature dress owned by the actress Debbie Reynolds was auctioned in June 2011 along with a vast collection of other famous Hollywood memorabilia including Charlie Chaplin’s ‘Tramp Hat and Judy Garland’s ‘Red Ruby Slippers’…
BUT $5.6 million? Wow!
Byron’s Letters and Journals Vol 3 Ed Leslie A. Marchand (London: John Murray 1974)
Byron’s Letters and Journals Vol 4 Ed Leslie A. Marchand (London: John Murray 1975)